SCHUMANN Robert (1810-1856)
Jimin Oh-Havenith (Piano)
audite
1 CD
065:43
Soloinstr. ohne Orchester
2024-10-18
Carnaval, Op. 9 Schumann, Robert No. 1, Préambule No. 2, Pierrot No. 3, Arlequin No. 4, Valse noble No. 5, Eusebius No. 6, Florestan No. 7, Coquette No. 8, Réplique No. 9, Papillons No. 10, A.S.C.H. - S.C.H.A. (Lettres dansantes) No. 11, Chiarina No. 12, Chopin No. 13, Estrella No. 14, Reconnaissance No. 15, Pantalon et Colombine No. 16, Valse allemande No. 17, Paganini No. 18, Aveu No. 19, Promenade No. 20, Pause No. 21, Marche des "Davidsbündler" contre les Philistins Davidsbündlertänze, Op. 6 (Book I) Schumann, Robert I. Lebhaft II. Innig III. Mit Humor [etwas hahnbüchen] IV. Ungeduldig V. Einfach VI. Sehr rasch [und in sich hinein] VII. Nicht schnell [mit äußerst starker Empfindung] VIII. Frisch IX. Lebhaft Davidsbündlertänze, Op. 6 (Book II) Schumann, Robert I. Balladenmäßig. Sehr rasch II. Einfach III. Mit Humor IV. Wild und lustig V. Zart und singend VI. Frisch VII. Mit gutem Humor VIII. Wie aus der Ferne IX. Nicht schnell
SCHUMANN Robert (1810-1856)Jimin Oh-Havenith (Piano)Label : audite
In Carnaval, four autobiographically charged letters are used as a musical cryptogram to create fictitious and real figures, which Schumann translated into a piano piece with an almost orchestral soundscape. In his Davidsbündlertänze, Schumann's literary alter egos Florestan and Eusebius appear as the main characters in a poetic dialogue intended as a secret message to his fiancée Clara Wieck: "wedding thoughts, composed in the most beautiful excitement I have ever been able to muster".
