STANFORD Sir Charles Villiers (1852-1924)
Stephen Varcoe (Bariton) - Clifford Benson (Piano)
Hyperion Records
1 CD
077:29
Chor / Lied
2000-03-03
La belle Dame sans merci Lieder op. 1 Nr. 1-8 (The Spanish Gypsy) (Auszug) Stanford, Charles Villiers Blue Wings Day is Dying Sweet Springtime Spring comes hither Came a Pretty Maid The World is Great Bright, o bright Fedalma The Radiant Dark Lieder op. 4 (nach Heinrich Heine) (Auszug) Stanford, Charles Villiers Nr. 1 Sterne mit den gold'nen Füßchen Nr. 3 Daß du mich liebst Nr. 4 Frühling (Die Wellen blinken und fließen dahin) Nr. 6 Der Schmetterling ist in die Rose verliebt Lieder op. 7 Nr. 1-6 (nach Heinrich Heine) (Auszug) Stanford, Charles Villiers Nr. 1 Ich lieb' eine Blume Nr. 2 Wie des Mondes Abbild zittert Nr. 5 Ich halte ihr die Augen zu Nr. 6 Schlummerlied (Püppchen klein) Fifty Songs of Old Ireland (Auszug) Stanford, Charles Villiers My Love's an Arbutus The Little Red Lark (Oh swan of slenderness) Lieder op. 76 (Songs of Erin) (Auszug) Stanford, Charles Villiers Trottin' to the Fair The Tomb (When, cruel fair one, I am slain) Lieder op. 110 (Auszug) Stanford, Charles Villiers Heraclitus Denny's Daughter The Sailor Man Lookin' Back At Sea I Mind the Day The Boy from Ballytearim Lieder op. 140 Nr. 1-6 (A Sheaf of Songs from Leinster) (Auszug) Stanford, Charles Villiers Nr. 3 A Soft Day Nr. 5 The Bold Unbiddable Child Nr. 6 Irish Skies
STANFORD Sir Charles Villiers (1852-1924)Stephen Varcoe (Bariton) - Clifford Benson (Piano)Label : Hyperion Records
Stanford declared: 'Song-writing is as miniature-painting. The scale is small, and everything must conform to that scale' (Interludes, Records and Reflections, 1922). Such a rigorous sense of focus depended, as Stanford saw it, on a well-defined hierarchy: the poem should always remain the principal consideration, governing all other artistic decisions.