Hume - Marais - Bach - Dollé - Purcell - Couperin
Kaori Uemura, Ricardo Rodríguez Miranda (Viola da gamba) - Aline Zylberajch (Cembalo)
Ramée
1 CD
062:56
Kammermusik (instrumental)
2023-09-01
The First Part of Ayres, French, Pollish and Others: No. 15, Good againe 5e livre de pièces de viole, Suite in F Major: Prélude en harpègement 4e livre de pièces de viole, Suite d'un goût étranger: La fougade Sonata a Viola da Gamba e Cembalo Obligato in D Major, BWV 1028: I. Adagio Sonata a Viola da Gamba e Cembalo Obligato in D Major, BWV 1028: II. Allegro Première Suitte Charles Dollé I. Prélude II. Allemande "La Mantry" III. Le Tendre Engagement IV. Rondeau "Le Gruer" V. Sarabande VI. Fugue VII. Musette "La Favoritte" VIII. La Badine Sonata a Viola da Gamba e Cembalo Obligato in D Major, BWV 1028: III. Andante Dido and Aeneas, Z. 626, Act III: When I am laid in earth Pièces de Violes, Deuxième suite: III. Pompe funèbre. Très gravement Italian Concerto in F Major, BWV 971: II. Andante 2e livre de pièces de viole, Suite in A Major: Fantaisie
The yamato word for mirror, kagami, can be read as "kami (divinity) surrounding ga (self)": if you look in a mirror, what you see is your own self surrounded by divinity. Mirrors were used in art as a reflection of what is, and as an allegory of truth and wisdom, a means of knowing yourself as you are. This recording is also a tribute to the Baroque composers who saw music not only as a mirror of divine creation, but equally as a means of expressing human emotions.
