BACH Johann Sebastian (1685-1750)
Olivier Cavé (Piano)
aeon
1 CD
061:53
Soloinstr. ohne Orchester
2016-03-01
Konzert für Cembalo F-Dur BWV 978 (nach Antonio Vivaldis Konzert für Violine RV 310) Bach, Johann Sebastian 1. Allegro 2. Largo 3. Allegro Konzert für Cembalo d-moll BWV 974 (nach Alessandro Marcellos Konzert für Oboe Nr. 2) Bach, Johann Sebastian 1. Allegro 2. Adagio 3. Presto Konzert für Cembalo G-Dur BWV 973 (nach Antonio Vivaldis Konzert für Violine RV 299) Bach, Johann Sebastian 1. Allegro 2. Largo 3. Allegro Konzert für Cembalo c-moll BWV 981 (nach einem Konzert für Violine von Benedetto Marcello) Bach, Johann Sebastian 1. Adagio 2. Vivace 3. Grave 4. Prestissimo Italienisches Konzert F-Dur BWV 971 (aus Clavierübung II) Bach, Johann Sebastian 1. Allegro 2. Andante 3. Presto Aria variata alla maniera italiana a-moll BWV 989 Bach, Johann Sebastian 1. Aria 2. Variation Nr. 1: Largo 3. Variation Nr. 2 4. Variation Nr. 3 5. Variation Nr. 4: Allegro 6. Variation Nr. 5: Un poco allegro 7. Variation Nr. 6: Andante 8. Variation Nr. 7: Allegro 9. Variation Nr. 8: Allegro 10. Variation Nr. 9 11. Variation Nr. 10 Capriccio B-Dur BWV 992 (über die Abreise seines geliebten Bruders) (für Klavier bearb.) Bach, Johann Sebastian 1. Arioso adagio 2. (ohne Satzbezeichnung) 3. Adagississimo 4. (ohne Satzbezeichnung) 5. Arie de il Postilione: Allegro poco 6. Fuga il imitatione di posta
BACH Johann Sebastian (1685-1750)Olivier Cavé (Piano)Label : aeon
Throughout his extraordinary career, Bach never tired of copying by hand the music of others, and the sense of eclecticism that would drive him to reproduce and adapt works, namely Italian music, was his way of achieving a very personal synthesis and creation, where abstract speculation and poetry would find their place. These beautiful transcriptions were precisely at the origin of one of his masterpieces, the Italian Concerto.
