Jephtha
Jephtha
HANDEL Georg Friedrich (1685-1759)
The Sixteen - Harry Christophers (Dir)
The Sixteen Productions
3 CD
167:49
Chor / Lied
2014-12-04
Jephta HWV 70 (Oratorium) (Gesamtaufnahme) Händel, Georg Friedrich
Overture (1. Teil)
Accompagnato: It must be so, or these vile Ammonites - Arie: Pour forth no more unheeded pray'rs
Chor: No more to Ammon's God and King
Rezitativ: But Jephtha comes - Kind Heaven, assist our plea - Arie: Virtue my soul shall stille embrace
Rezitativ: 'Twill be a painful separation, Jephtha - Arie: In gentle murmurs will I mourn
Rezitativ: Happy this embassy, my charming Iphis - Arie: Dull delay, in piercing anguish
Rezitativ: Ill suits the voice of love when glory calls - Arie: Take the heart you fondly gave
Rezitativ: I go; my soul, inspir'd by thy command - Duett: These labours past, how happy we!
Rezitativ: What mean these doubtful fancies of the brain? - Accompagniato: If, Lord, sustain'd by thy almighty pow'r
Chor: O God, behold our sore distress
Rezitativ: Some dire event hangs o'er our heads - Arie: Scenes of horror, scenes of woe
Rezitativ: Say, my dear mother, whence these piercing cries - Arie: The smiling dawn of happy days
Rezitativ: Such, Jephtha, was the haughty king's reply - Chor: When his loud voice in thunder spoke
Rezitativ: Glad tidings of great joy to thee, dear Iphis (2. Teil)
Chor: Cherub and Seraphim, unbodied forms
Arie: Up the dreadful steep ascending
Rezitativ: 'Tis well - Arie: Tune the soft melodiuos lute
Rezitativ: Heav'n smiles once more on His repentant people - Arie: His mighty arm, with sudden blow
Chor: In glory high, in might serene
Sinfonie
Rezitativ: Hail, glorious conqueror! much-lov'd father, hail! - Arie: Welcome, as the cheerful light - Chor: Welcome...
Rezitativ: Horror! confusion! - Arie: Open thy marble jaws, o tomb
Rezitativ: Why is my brother thus afflicted?
Accompagnato und Arie: First perish thou, and perish all the world!
Rezitativ: If such thy cruel purpose, lo! your friend! - Arie: On me let blind mistaken zeal
Quartett: O spare your daughter!
Rezitativ: Such news flies swift. I've heard the mournful cause - Accompagniato: For joys so vast, too little is the...
Arie: Happy they; This vital breath
Accompagniato: Deeper and deeer still, thy goodness, child
Chor: How dark, O Lord, are Thy decrees
Arie: Hide thou thy hated beams. O Sun, in clouds (3. Teil)
Accompagnato: A father, off'ring up his only child - Arie: Waft her, angels, through the skies
Accompagniato: Ye sacred priests, whose hands ne'er yet were stain'd - Arie: Farewell, ye limpid springs and floods
Chor: Doubtful fear and rev'rent awe
SInfonie
Rezitativ: Rise, Jephtha, and ye rev'rend prests, withhold - Arie: Happy, Iphis, shalt thou live
Arie: For ever blessed be Thy holy name
Chor: Theme sublime of endless praise
Rezitativ: Let me congratulate this happy turn - Arie: Laud her, all ye virgin train
Rezitativ: O, let me fold thee in a mother's arms - Arie: Sweet as sight to the blind
Rezitativ: With transport, Iphis, I behold thy safety - Arie: 'Tis Heaven's all-ruling pow'r
Rezitativ: My faithful Hamor, may that Providence - Quintett: All that is in Hamor is mine
Chor: Ye house of Gilead, with one voice
Rezitativ: Again Heav'n smiles - Arie: Freedom now (Appendix)
HANDEL Georg Friedrich (1685-1759)
The Sixteen - Harry Christophers (Dir)
The Sixteen Productions
3 CD
167:49
Chor / Lied
2014-12-04
Jephta HWV 70 (Oratorium) (Gesamtaufnahme) Händel, Georg Friedrich
Overture (1. Teil)
Accompagnato: It must be so, or these vile Ammonites - Arie: Pour forth no more unheeded pray'rs
Chor: No more to Ammon's God and King
Rezitativ: But Jephtha comes - Kind Heaven, assist our plea - Arie: Virtue my soul shall stille embrace
Rezitativ: 'Twill be a painful separation, Jephtha - Arie: In gentle murmurs will I mourn
Rezitativ: Happy this embassy, my charming Iphis - Arie: Dull delay, in piercing anguish
Rezitativ: Ill suits the voice of love when glory calls - Arie: Take the heart you fondly gave
Rezitativ: I go; my soul, inspir'd by thy command - Duett: These labours past, how happy we!
Rezitativ: What mean these doubtful fancies of the brain? - Accompagniato: If, Lord, sustain'd by thy almighty pow'r
Chor: O God, behold our sore distress
Rezitativ: Some dire event hangs o'er our heads - Arie: Scenes of horror, scenes of woe
Rezitativ: Say, my dear mother, whence these piercing cries - Arie: The smiling dawn of happy days
Rezitativ: Such, Jephtha, was the haughty king's reply - Chor: When his loud voice in thunder spoke
Rezitativ: Glad tidings of great joy to thee, dear Iphis (2. Teil)
Chor: Cherub and Seraphim, unbodied forms
Arie: Up the dreadful steep ascending
Rezitativ: 'Tis well - Arie: Tune the soft melodiuos lute
Rezitativ: Heav'n smiles once more on His repentant people - Arie: His mighty arm, with sudden blow
Chor: In glory high, in might serene
Sinfonie
Rezitativ: Hail, glorious conqueror! much-lov'd father, hail! - Arie: Welcome, as the cheerful light - Chor: Welcome...
Rezitativ: Horror! confusion! - Arie: Open thy marble jaws, o tomb
Rezitativ: Why is my brother thus afflicted?
Accompagnato und Arie: First perish thou, and perish all the world!
Rezitativ: If such thy cruel purpose, lo! your friend! - Arie: On me let blind mistaken zeal
Quartett: O spare your daughter!
Rezitativ: Such news flies swift. I've heard the mournful cause - Accompagniato: For joys so vast, too little is the...
Arie: Happy they; This vital breath
Accompagniato: Deeper and deeer still, thy goodness, child
Chor: How dark, O Lord, are Thy decrees
Arie: Hide thou thy hated beams. O Sun, in clouds (3. Teil)
Accompagnato: A father, off'ring up his only child - Arie: Waft her, angels, through the skies
Accompagniato: Ye sacred priests, whose hands ne'er yet were stain'd - Arie: Farewell, ye limpid springs and floods
Chor: Doubtful fear and rev'rent awe
SInfonie
Rezitativ: Rise, Jephtha, and ye rev'rend prests, withhold - Arie: Happy, Iphis, shalt thou live
Arie: For ever blessed be Thy holy name
Chor: Theme sublime of endless praise
Rezitativ: Let me congratulate this happy turn - Arie: Laud her, all ye virgin train
Rezitativ: O, let me fold thee in a mother's arms - Arie: Sweet as sight to the blind
Rezitativ: With transport, Iphis, I behold thy safety - Arie: 'Tis Heaven's all-ruling pow'r
Rezitativ: My faithful Hamor, may that Providence - Quintett: All that is in Hamor is mine
Chor: Ye house of Gilead, with one voice
Rezitativ: Again Heav'n smiles - Arie: Freedom now (Appendix)
HANDEL Georg Friedrich (1685-1759)
The Sixteen - Harry Christophers (Dir)
Label : The Sixteen Productions
Artikelnummer: COR16121
3 CD Spielzeit : 167:49
CHF 40.50
James Gilchrist (Tenor) - Susan Bickley (Mezzosopran) - Sophie Bevan (Sopran) - Robin Blaze (Countertenor) - Matthew Brook (Bassbariton) - Grace Davidson (Sopran) // The last oratorio that Handel wrote, Jephtha is also often seen as his most profound; the portrayal of Jephtha's suffering is particularly noteworthy for its astonishing sincerity.
Genre: | Chor / Lied |
Anzahl Tracks: | 44 |
Erstveröffentlichung: | 2014-12-04 |
EAN/UPC: | 0828021612121 |
Trackliste
Jephta HWV 70 (Oratorium) (Gesamtaufnahme) Händel, Georg Friedrich Overture (1. Teil)
Accompagnato: It must be so, or these vile Ammonites - Arie: Pour forth no more unheeded pray'rs
Chor: No more to Ammon's God and King
Rezitativ: But Jephtha comes - Kind Heaven, assist our plea - Arie: Virtue my soul shall stille embrace
Rezitativ: 'Twill be a painful separation, Jephtha - Arie: In gentle murmurs will I mourn
Rezitativ: Happy this embassy, my charming Iphis - Arie: Dull delay, in piercing anguish
Rezitativ: Ill suits the voice of love when glory calls - Arie: Take the heart you fondly gave
Rezitativ: I go; my soul, inspir'd by thy command - Duett: These labours past, how happy we!
Rezitativ: What mean these doubtful fancies of the brain? - Accompagniato: If, Lord, sustain'd by thy almighty pow'r
Chor: O God, behold our sore distress
Rezitativ: Some dire event hangs o'er our heads - Arie: Scenes of horror, scenes of woe
Rezitativ: Say, my dear mother, whence these piercing cries - Arie: The smiling dawn of happy days
Rezitativ: Such, Jephtha, was the haughty king's reply - Chor: When his loud voice in thunder spoke
Rezitativ: Glad tidings of great joy to thee, dear Iphis (2. Teil)
Chor: Cherub and Seraphim, unbodied forms
Arie: Up the dreadful steep ascending
Rezitativ: 'Tis well - Arie: Tune the soft melodiuos lute
Rezitativ: Heav'n smiles once more on His repentant people - Arie: His mighty arm, with sudden blow
Chor: In glory high, in might serene
Sinfonie
Rezitativ: Hail, glorious conqueror! much-lov'd father, hail! - Arie: Welcome, as the cheerful light - Chor: Welcome...
Rezitativ: Horror! confusion! - Arie: Open thy marble jaws, o tomb
Rezitativ: Why is my brother thus afflicted?
Accompagnato und Arie: First perish thou, and perish all the world!
Rezitativ: If such thy cruel purpose, lo! your friend! - Arie: On me let blind mistaken zeal
Quartett: O spare your daughter!
Rezitativ: Such news flies swift. I've heard the mournful cause - Accompagniato: For joys so vast, too little is the...
Arie: Happy they; This vital breath
Accompagniato: Deeper and deeer still, thy goodness, child
Chor: How dark, O Lord, are Thy decrees
Arie: Hide thou thy hated beams. O Sun, in clouds (3. Teil)
Accompagnato: A father, off'ring up his only child - Arie: Waft her, angels, through the skies
Accompagniato: Ye sacred priests, whose hands ne'er yet were stain'd - Arie: Farewell, ye limpid springs and floods
Chor: Doubtful fear and rev'rent awe
SInfonie
Rezitativ: Rise, Jephtha, and ye rev'rend prests, withhold - Arie: Happy, Iphis, shalt thou live
Arie: For ever blessed be Thy holy name
Chor: Theme sublime of endless praise
Rezitativ: Let me congratulate this happy turn - Arie: Laud her, all ye virgin train
Rezitativ: O, let me fold thee in a mother's arms - Arie: Sweet as sight to the blind
Rezitativ: With transport, Iphis, I behold thy safety - Arie: 'Tis Heaven's all-ruling pow'r
Rezitativ: My faithful Hamor, may that Providence - Quintett: All that is in Hamor is mine
Chor: Ye house of Gilead, with one voice
Rezitativ: Again Heav'n smiles - Arie: Freedom now (Appendix)
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